Always a colorist.
Never sorry about it.
Post from day one. The grade was never a destination. It’s just where the work lives.
Set changes
everything.
London Film Academy for a masters in filmmaking. Came back having pulled focus, operated cameras, and understood exactly how a DP makes decisions. The people I met there are still the ones in the credits.
Brands feel
before they’re read.
Ad campaigns are where color stops being craft and starts being psychology. A grade that’s off by a degree changes what a brand communicates entirely. That’s the work I keep coming back to.
First frame.
Final pixel.
Color, edit, motion, design. The work is better when it’s thought of as one thing, not a series of handoffs.
01
Video Editing
From assembly cut to picture lock — narrative structure, pacing, multicam sync, and audio mixing for film, commercial, and documentary.
02
Color Grading
Primary and secondary correction, look development, LUT creation, and final delivery in any format — from streaming to cinema.
03
Motion Graphics
Kinetic typography, title sequences, lower thirds, and custom motion packages that extend the visual language of your project.